Rehab (2006)

Amy Winehouse

Written by Amy Winehouse
What are DNA Source Songs™? Suggest a source song for inclusion via Rock Populi.

Rehab Amy WinehouseThey tried to make me go to rehab
but I said, ‘No, no, no’
Yes, I’ve been black
but when I come back
you’ll know, know, know

Before you appreciate its tragicomic, aching vulnerability, it will pay to recollect the roots of Amy Winehouse’s “Rehab.”

The song is a siren

The first stop is Sugar Boy Crawford And His Cane Cutters’ 1953 New Orleans Party-Gras song, “Jock-A-Mo,” about rival “tribes” during carnival time. The syncopated Calypso rhythm goes back much further, of course, to American Indian-Afro-Caribbean traditional songs. A jock-a-mo was a jester of sorts. The interspersing of the nonsense words, “iko iko” added a feeling of ecstatic out-of-control lunacy to the song.

“Iko Iko”

In 1965, The Dixie Cups, who later would have a smash syrup hit with “(Goin’ Into The) Chapel Of Love,” released a single that same year called “Iko Iko,” a direct lift of Sugar Boy’s tune, which brought on a lawsuit that ended in a settlement for Crawford. Dr. John created an iteration of “Iko-Iko,” freely adding and subtracting lyrics as he saw fit. It has been covered by performers as diverse as The Grateful Dead; Cyndi Lauper; and Warren Zevon. “Iko Iko” in all its incarnations is a primo party song to dance to with your Abita Straw-Berry.

Another thread woven into “Rehab” is the tongue twisting brainteaser “The Name Game,” by Shirley Ellis in 1964.

Shirley!
Shirley, Shirley bo Birley
Bonana fanna fo Firley

Fee fie mo Mirley, Shirley! 

Lincoln!
Lincoln, Lincoln bo Bincoln
Bonana fanna fo Fincoln
Fee fie mo Mincoln, Lincoln!

“The Name Game,” a form of rehab

Again, there is a stuttering syncopation that can clearly be heard in the much darker Winehouse creation.

Rehab hardly knew ye

Amy, we hardly knew ye…

When she wrote the song, her death, of course, couldn’t be foretold although once she died of substance abuse, it came as little surprise. “Rehab” serves as her epitaph. “Rehab” was popular in its first release period, and the album from which it was lifted, Back To Black is an iconic work of the ‘00’s.

In retrospect, it was a self-deprecating cry for help that many heard but could not adequately respond to. You can’t stop a real death wish. The “Mr. Hathaway” in “Rehab,” is a reference to Donny Hathaway, a powerhouse of soul singing and song-writing (with Roberta Flack “Where Is The Love?” in 1972 and again in 1978 with Flack with “The Closer I Get To You.”)

Hathaway, who suffered from paranoid schizophrenia and skipped taking meds regularly, threw himself out of the 15th story window of New York’s Essex House Hotel onto the sidewalk of Central Park South. The tale is cautionary to most, but it seems for Winehouse it served as a summons.

The strength of “Rehab” comes from its cynicism. Winehouse doesn’t want to be perceived as a phony going through the motions of fixing herself up to soothe her family, friends, and fans. She does contradict herself throughout the song, the words of a shaky survivor who knows she’s fading:

I don’t ever wanna drink again
I just, ooh, I just need a friend
I’m not gonna spend ten weeks
Have everyone think I’m on the mend

Her delivery is tough, torchy, and conquers the great heights of Blues – heartfelt, funny, and resigned all in one turn of phrase.

The backing by the Brooklyn-based Dap-Kings is ruggedly funky, punchy and precise, harking back to Motown-sauced production values with easy releases from verse to chorus to bridge vocals. About half way through, the band kicks it up a couple of notches and starts cooking with gas as in days of old. There is also, as in the work of many female British retro-blues singers, a dose of the brawny backgrounds behind early Dionne Warwick songs like “Don’t Make Me Over” and “Anyone Who Had A Heart.”

Although it seems macabre to say so, “Rehab” is a fabulously danceable tune thanks to the singer’s soulful timbre and the Dap-Kings’ superior ability to effortlessly run a beat hard and fast without seeming rushed or contrived.

Rehab ball playingIn the end, what finally catapults “Rehab” into the heavens of greatest Rock-N-Roll songs of all time are the Winehouse vocals. The girl knew she was going down. She wants to be left alone. Her protests – especially in the reference to her daddy in the first verse – are stamped with a seductive immaturity.

She could very well have been 4 years old and singing “They tried to make me go to pre-school but I said no, no, no.”

In a scant 3-1/2 minutes the song mounts to the heights. Music truly lost a great one far too early when Amy Winehouse checked out of life instead of checking into rehab.

mangoids
  • “Rehab” won three Grammys at the 2008 awards show: Song Of The Year, Record of the Year and Best Female Pop Vocal.
  • “Rehab” took three years to go platinum (in 2010). It has sold 1.5 million copies in the UK, 2 million in the US. Elsewhere around the world it has sold another million. 

COMMENTS