A sense of foreboding, political and social breakdown, and a bit more than a hint of child abuse. It is one brilliantly creepy song.
An odd mood, unyielding rhythm, Eric Clapton’s spot lead guitar, plus palpable group tension turn the work into a major masterpiece.
The Rolling Stones
“Let’s think of the wavering millions who need leading but get gamblers instead.” Some songs grow truer and truer.
You’re ushered into the control room of Motown as its rocket lifted from the launching pad. Diana pleads, simpers and stakes her claim.
With the overload of information that comes at us from all directions today, is discovering new Rock-N-Roll on the radio still possible?
Altamont – the end of an era, as it has been unceasingly ballyhooed – is seared onto the world’s mind. But it was a blip, not an apocalypse.
There is a real Strawberry Field in Woolton Village, a near-in suburb of Liverpool – here’s how it influenced John Lennon’s song.
Can Neil Young save us from the watered-down, soulless sound of MP3 downloads – and recapture Rock’s true glory?
1 week ago
Is the “I Need A Miracle” outtake featuring Lowell George better than the track that appears on Shakedown Street?
2 weeks ago
The third volume of the ClaptonTest™ homes in on Eric’s musical friends and collaborators.
3 weeks ago
It’s time to wade deeper into our informal assessment of how well you know The Grateful Dead’s setlist structure.
Rock-n-roll legend Chuck Berry announced the release of his first new album in nearly 40 years – just before he passed away last month.
More familiar with teen audiences, John Mayer expressed disappointment in the low energy of Dead & Company’s mostly “geriatric” fanbase.